Make your event unforgettable. Please look below and see our Stage Plot and Layout. Give us as much information as you can so that we can assist you as efficiently as possible.
Skynnyn Lynnyrd is the premier tribute band to the late great Lynyrd Skynyrd that you've been looking for. Skynnyn Lynnyrd has been providing the amazing hits of Lynyrd Skynyrd for Casinos, Wineries, Breweries and Festivals for 20 years. This phenomenal band is available for all types of social functions all over. Skynnyn Lynnyrd is made of up of highly skilled players and singers. You will be very pleased once you hear the level of great musicianship that this band has to offer. The energy level goes well above and beyond. Skynnyn Lynnyrd has played national with legends Foghat, Dave Mason, 38 Special, WAR, Joe Bonnamassa, Atlanta Rhythm Section, Vince Neil, Pat Travers and so many more. As fans from all over will attest, Skynnyn Lynnyrd will ignite your stage and bring back the authentic swamp music sound that die hard fans will eagerly gather, to fill your venue turnout aspirations.
Thank you, Joe Mann, for this great revieW:
FREEBIRD!!!!!!!
Ok yell it out. At a Skynnyn Lynnyrd concert it is not only ok, but damn well expected!
On a super-hot summer night, the kind that only that the Central Valley can deliver, Swabbies on the River was transformed into a Southern rock haven as Skynnyn Lynnyrd took the stage. The heat was intense, but it didn't deter the devoted fans who packed the riverside venue, eager for a taste of classic Lynyrd Skynyrd. Larry Woodruff delivered with classics such as "Sweet Home Alabama" to the final echoes of "Free Bird," the band played with the kind of raw energy and authenticity that would have made the original lineup proud. The audience sung along and danced with the band despite the heat! To me this shows the power of a band and music to get people up and moving despite the heat! Skynnyn Lynnyrd didn't miss a beat, their passion and professionalism cutting through the heat like a hot knife through butter.
Swabbies went to great lengths and pulled out all the stops to ensure the night was unforgettable, despite the soaring temperatures. Large fans and misters were placed around the venue, creating a cool oasis amidst the heatwave. The staff hustled to keep everyone hydrated and comfortable, serving up cold drinks and mouthwatering fare that kept spirits high. Mixed with a great venue, an amazing band, rockin’ staff it was an amazing event. The crowd, a mix of die-hard Southern rock enthusiasts and casual music lovers, soaked up the good vibes, their enthusiasm undamped by the weather. It was a testament to both the venue's dedication and the band's magnetic performance that the energy never waned.
As Skynnyn Lynnyrd ripped through classics like "Simple Man" and "Gimme Three Steps," it was clear that this tribute band had captured more than just the sound of Lynyrd Skynyrd—they had captured their soul. To note, they opened with an amazing solo by the lead guitar player that was beyond anything I have ever witnessed before. They opened brilliantly. The blistering guitar solos, the gritty vocals, and the tight rhythm section all combined to create a powerful homage that resonated deeply with the crowd. By the end of the night, as the band took their final bow to thunderous applause, it was evident that both Swabbies and Skynnyn Lynnyrd had turned a hot, challenging night into an unforgettable celebration of music and community.
STAGE PLOT & LAYOUT
Star Vocal supplies (IEM)

Skynnyn Lynnyrd Backline
2 Condnser Microphones – Drum Overhead – Cymbals
1 Condenser Microphone – Hi-Hat
1 Kick Drum Microphone - AKG D112
1 Snare Drum Microphone
3 Tom-Tom Microphones
3 Instrument Microphones – Guitars – Shure M-57 or Equivalent
5 Vocal Microphones – Shure M-58 or Equivalent
2 Direct Input (DIs) – Keyboards - Unbalanced TRS to Balanced XLR
23 Mixer Channels minimum with 9 Aux sends; 24 preferred
6 Wedge Monitors – 6 - Stage left, center, right, + 2 Drums and Keys.
2 Reverse X (Side) Fills – Large Stage - L mix of Rt, Rt mix of L
Active crossover Mains required. Consumer grade systems are not acceptable.
31 Band Equalization is required for indoor venue Mains.
Power requirements are dependent upon size of venue.
No FOH effects required.
Inputs 23 Channel / 9 AUX
| CH# | Stage Inputs | Notes | AUX# | Monitor Sends | Notes |
|---|---|---|---|---|---|
| 1 | Lead Vocal | Mic split: feeds FOH + artist’s X-Air IEM (all artist-supplied) | 1 | Wedge - Stage Left | Guitar L+C Mix |
| 2 | Background Vocal 1 | 2 | Wedge - Stage Right | Bass Vocal Mix | |
| 3 | Background Vocal 2 | 3 | Wedge - Center | Only if BGV at center stage | |
| 4 | Bass Vocal | 4 | Sub - Drums | Kick | |
| 5 | Guitar L | 5 | Wedge - Drums | Drum Mix | |
| 6 | Guitar C | 6 | Wedge - Piano | Piano/Keys Mix | |
| 7 | Guitar R | 7 | Sub - FOH | FOH Sub Output | |
| 8 | Bass | 8 | Band Mix to Lead Vocal | FOH sends band mix (no star vocal) | |
| 9 | Spare Mic/DI | 9 | BGVs Monitor | Wedge for BGVs | |
| 10 | Kick | +75 Hz, +2.5 kHz, +COMP | |||
| 11 | Snare | ||||
| 12 | Tom 1 | ||||
| 13 | Tom 2 | ||||
| 14 | Floor Tom | ||||
| 15 | Hi-Hat | High-pass @ 150 Hz | |||
| 16 | Overhead L | High-pass @ 150 Hz | |||
| 17 | Overhead R | High-pass @ 150 Hz | |||
| 18 | Piano | ||||
| 19 | Leslie Low | High-pass @ 150 Hz | |||
| 20 | Leslie High | ||||
| 21 | Synth | ||||
| 22 | Playback L | ||||
| 23 | Playback R |
| Signal Path | Function / Notes |
|---|---|
| Lead Vocal Mic (artist-supplied) | Primary vocal mic on stage |
| Rack-Mount Mic Splitter (artist-supplied) | Splits signal to FOH + personal X-Air rack |
| → FOH Input (CH#1) | Standard house mix input |
| → Artist’s X-Air Rack Mixer (IEM) | Direct vocal feed to personal in-ear mix |
| FOH AUX 8 | Band mix (no vocal) sent from FOH to artist’s rack mixer |
| X-Air Mixer (artist-supplied) | Artist blends FOH band mix with direct vocal in IEM |